History of Pencil

The archetypal pencil may have been the stylus, which was a thin metal stick, often made from lead[dubious – discuss] and used for scratching in papyrus[dubious – discuss], a form of early paper. They were used extensively by the ancient Egyptians[dubious – discuss] and Romans.[1] The word pencil comes from the Old French word pincel, a small paintbrush, ultimately deriving from the Latin word penicillus a "little tail" — pincellus is Latin from the post-classical period

Discovery of graphite deposit

Some time before 1565 (some sources say as early as 1500), an enormous deposit of graphite was discovered on the approach to Grey Knotts from the hamlet of Seathwaite in Borrowdale parish, Cumbria, England. The locals found that it was very useful for marking sheep. This particular deposit of graphite was extremely pure and solid, and it could easily be sawn into sticks. This remains the only large scale deposit of graphite ever found in this solid form. Chemistry was in its infancy and the substance was thought to be a form of lead. Consequently, it was called plumbago (Latin for "lead ore"). The black core of pencils is still referred to as lead, even though it never contained the element lead. The words for pencil in German (Bleistift), Irish (Peann Luaidhe), Arabic (قلم رصاص qalam ruṣāṣ), and other languages literally mean lead pen.

The value of graphite was soon realised to be enormous, mainly because it could be used to line the moulds for cannonballs, and the mines were taken over by the Crown and guarded. When sufficient stores of graphite had been accumulated, the mines were flooded to prevent theft until more was required. Graphite had to be smuggled out for use in pencils. Because graphite is soft, it requires some form of encasement. Graphite sticks were initially wrapped in string or sheepskin for stability. The news of the usefulness of these early pencils spread far and wide, attracting the attention of artists all over the known world.

Although deposits of graphite had been found in other parts of the world, they were not of the same purity and quality as the Borrowdale find, and had to be crushed to remove the impurities, leaving only graphite powder.^{[citation needed]} England continued to enjoy a monopoly on the production of pencils until a method of reconstituting the graphite powder was found. The distinctively square English pencils continued to be made with sticks cut from natural duck graphite into the 1860s. The town of Keswick, near the original findings of block graphite still manufactures pencils, the factory also being the location of the Cumberland pencil museum.

he first attempt to manufacture graphite sticks from powdered graphite was in Nuremberg, Germany, in 1662. It used a mixture of graphite, sulphur, and antimony. Residual graphite from a pencil stick is not poisonous, and graphite is harmless if consumed.

Wood holders added

An Italian couple named Simonio and Lyndiana Bernacottimade what are likely the first blueprints for the modern, wood-encased carpentry pencil. Their version was a flat, oval, more compact type of pencil. Their concept involved the hollowing out of a stick of juniper wood. Shortly thereafter, a superior technique was discovered: two wooden halves were carved, a graphite stick inserted, and the halves then glued together—essentially the same method in use to this day.

English and German pencils were not available to the French during the Napoleonic Wars; France, under naval blockade imposed by Great Britain, was unable to import the pure graphite sticks from the British Grey Knotts mines – the only known source in the world for solid graphite. France was also unable to import the inferior German graphite pencil substitute. It took the efforts of an officer in Napoleon's army to change this. In 1795, Nicholas Jacques Conté discovered a method of mixing powdered graphite with clay and forming the mixture into rods that were then fired in a kiln. By varying the ratio of graphite to clay, the hardness of the graphite rod could also be varied. This method of manufacture, which had been earlier discovered by the Austrian Joseph Hardtmuth of Koh-I-Noor in 1790, remains in use.

In England, pencils continued to be made from whole sawn graphite. Henry Bessemer's first successful invention (1838) was a method of compressing graphite powder into solid graphite thus allowing the waste from sawing to be reused.

American colonists imported pencils from Europe until after the American Revolution. Benjamin Franklin advertised pencils for sale in his Pennsylvania Gazette in 1729, and George Washington used a three-inch pencil when he surveyed the Ohio Territory in 1762. It is said that William Munroe, a cabinetmaker in Concord, Massachusetts, made the first American wood pencils in 1812. This was not the only pencil-making occurring in Concord. According to Henry Petroski, transcendentalist philosopher Henry David Thoreau discovered how to make a good pencil out of inferior graphite using clay as the binder; this invention was prompted by his father's pencil factory in Concord, which employed graphite found in New Hampshire in 1821 by Charles Dunbar.

Munroe's method of making pencils was painstakingly slow, and in the neighbouring town of Acton, a pencil mill owner named Ebenezer Wood set out to automate the process at his own pencil mill located at Nashoba Brook along the old Davis Road. He used the first circular saw in pencil production. He constructed the first of the hexagon- and octagon-shaped wooden casings that we have today. Ebenezer did not patent his invention and shared his techniques with whomever asked. One of those was Eberhard Faber of New York, who became the leader in pencil production.

Joseph Dixon, an inventor and entrepreneur involved with the Tantiusques granite mine in Sturbridge, Massachusetts, developed a means to mass produce pencils. By 1870, The Joseph Dixon Crucible Company was the world’s largest dealer and consumer of graphite and later became the contemporary Dixon Ticonderoga pencil and art supplies company.

By the end of the 19th century over 240,000 pencils were used each day in the United States alone. The favoured timber for pencils was Red Cedar as it was aromatic and did not splinter when sharpened. In the early 20th century supplies of Red Cedar were dwindling so that pencil manufacturers were forced to recycle the wood from cedar fences and barns to maintain supply. Britain went as far as declaring the use of pencil sharpeners illegal to discourage unnecessary sharpening. It was soon discovered that Incense cedar, when dyed and perfumed to resemble Red Cedar, was a suitable alternative and most pencils today are made from this timber which is grown in managed forests. Over 14 billion pencils are manufactured worldwide annually.

Pencil manufacturing. The top sequence shows the old method that required pieces of graphite to be cut to size; the lower sequence is the new, current method using rods of graphite and clay

Eraser attached

On 30 March 1858, Hymen Lipman received the first patent for attaching an eraser to the end of a pencil.In 1862 Lipman sold his patent to Joseph Reckendorfer for $100,000, who went on to sue the pencil manufacturer Faber-Castell for infringement. In 1875, the Supreme Court of the United States ruled against Reckendorfer declaring the patent invalid.

Drawing of pencil with an attached eraser from its patent application

Lead poisoning

Although lead has not been used for writing since Roman times, lead poisoning from pencils was not uncommon; until the middle of the twentieth century the paint used for the outer coating could contain high concentrations of the element and this could be ingested when the pencil was sucked or chewed.

Grading and classification

Many pencils across the world, and almost all in Europe, are graded on the European system using a continuum from “H” (for hardness) to “B” (for blackness), as well as “F” (for fine point). The standard writing pencil is graded HB. According to Petroski, this system might have been developed in the early 20th century by Brookman, an English pencil maker. It used “B” for black and “H” for hard; a pencil's grade was described by a sequence or successive Hs or Bs such as BB and BBB for successively softer leads, and HH and HHH for successively harder ones.

As of 2009, a set of pencils ranging from a very hard, light-marking pencil to a very soft, black-marking pencil usually ranges from hardest to softest as follows:

Hardest

→

Medium

→

Softest

Koh-i-noor offers twenty grades from 10H to 8B for its 1500 series; Derwent produces twenty grades from 9H to 9B for its graphic pencils and Staedtler produces nineteen from 9H to 8B for its Mars Lumograph pencils.

The main market for such wide range of grades are artists who are interested in creating a full range of tones from light grey to black. Engineers prefer harder pencils which allow for a greater control in the shape of the lead. This is reflected in the way pencils are packaged and marketed. For example, for its Graphic pencils Derwent offers three packages of 12 pencils each: Technical (with hard grades from 9H to B), Sketching (with soft grades H to 9B), and Designer (with medium grades 4H to 6B)

Pencils graded using this system are used to measure the hardness and resistance of varnishes and paints. The resistance of a coating (also known as its pencil hardness) is determined as the grade of the hardest pencil that does not mark the coating when pressed firmly against it at a 45 degree angle.

Another common method uses numbers to designate the grade of a pencil. It was originally created by Conté and adopted in the United States by John Thoreau, father of Henry Thoreau, in the 19th century.The following table shows approximate equivalences between the different systems:

Tone	U.S.	World
	#1	B
	#2	HB
	#2½ *	F
	#3	H
	#4	2H

* Also seen as 2-4/8, 2.5, 2-5/10
Although Conté/Thoreau's system is widely accepted, not all manufacturers follow it; for example, Faber-Castell uses a different equivalence table in its Grip 2001 pencils: 1 = 2B, 2 = B, 2½ = HB, 3 = H, 4 = 2H.
The various graphite pencil grades are achieved by altering the proportion of graphite to clay: the more clay the harder the pencil. Two pencils of the same grade but different manufacturers will not necessarily make a mark of identical tone nor have the same hardness.

A grading chart ranging from 9B to 9H

Types

According to their marking material

Graphite pencils: These are the most common types of pencils, and are encased in wood. They are made of a mixture of clay and graphite and their darkness varies from light grey to black. Their composition allows for the smoothest strokes.
Solid graphite pencils: As the name implies, these are solid sticks of graphite, about the diameter of a common pencil, which have no casing. They are used primarily for art purposes as the lack of casing allows for more interesting effects. They are available in the same darkness range as wood-encased graphite pencils.
Charcoal pencils: They are made of charcoal and provide fuller blacks than graphite pencils, but tend to smudge easily and are more abrasive than graphite. Sepia-toned and white pencils are also available for duotone techniques.
Carbon pencils: They generally are made of a mixture of clay and lamp black, but are sometimes blended with charcoal or graphite depending on the darkness and manufacturer. They produce a fuller black than graphite pencils, but are smoother than charcoal.
Coloured pencils, or pencil crayons: These have wax-like cores with pigment and other fillers. Multiple colours are often blended together.
Grease pencils: They write on virtually any surface (including glass, plastic, metal and photographs). The most commonly found grease pencils are encased in paper (Berol and Sanford Peel-off), but they can also be encased in wood (Staedtler Omnichrom).
Watercolour pencils: These are designed for use with watercolour techniques. The pencils can be used by themselves for sharp, bold lines. Strokes made by the pencil can also be saturated with water and spread with brushes.

According to their use

Carpenter's pencils: These are pencils that have two main properties: their shape prevents them from rolling, and their graphite is strong. The oldest surviving pencil is a German carpenter's pencil dating from the 17th Century and now in the Faber-Castell collection.

Copying pencils: These are graphite pencils with an added dye that creates an indelible mark. They were invented in the late 19th century for press copying and as a practical substitute for fountain pens. Their markings are often visually indistinguishable from those of standard graphite pencils, but when moistened their markings dissolve into a coloured ink, which is then pressed into another piece of paper. They posed significant health risks (see below).They were widely used until the mid 20th century when ball pens slowly replaced them. In Italy their use is still mandated by law for voting paper ballots in elections and referenda.

Erasable colour pencils: Unlike wax-based coloured pencils, these can be easily erased. Their main use is in sketching, where the objective is to create an outline using the same colour that other media (such as wax pencils, or watercolour paints) would fill or when the objective is to scan the colour sketch.Some animators prefer erasable colour pencils as opposed to graphite pencils because they don't smudge as easily, and the different colours allow for better separation of objects in the sketch.Copy-editors find them useful too, as their markings stand out more than graphite but can be erased.

Non-reproducing: or non-photo blue pencils make marks that are not reproduced by photocopiers (Sanford's Copy-not or Staedtler's Mars Non-photo) or by whiteprint copiers (Staedtler's Mars Non-Print).

Stenographer's pencil: Also known as a steno pencil. These pencils are expected to be very reliable, and their lead is break proof. Nevertheless sometimes steno pencils are sharpened at both ends to enhance reliability. They are round to avoid pressure pain during long texts^.

Golf pencil: Golf pencils are usually short (a common length is 9 cm) and very cheap. They are also known as library pencils, as many libraries offer them as disposable, unspillable writing instruments.

According to their shape

Triangular (more accurately a Reuleaux triangle)
Hexagonal
Round
Bendable (flexible plastic)

According to their size

Typical: A standard, hexagonal, "#2 pencil" is cut to a hexagonal height of ¹⁄₄-inch (6 mm), but the outer diameter is slightly larger (about ⁹⁄₃₂-inch (7 mm)).

A standard, #2, hexagonal pencil is 19 cm (7.5 in) long.

Biggest: On 3 September 2007, Ashrita Furman unveiled his giant US$20,000 pencil – 76 feet (23 m) long, 18,000 pounds (8,200 kg) (with over 4,500 pounds (2,000 kg) for the graphite centre) – after three weeks of creation in August 2007 as a birthday gift for teacher Sri Chinmoy. It is longer than the 65-foot (20 m) pencil outside the Malaysia HQ of stationers Faber-Castell.

History of Pencil